Residents of Rome — and, in a normal year, tourists — can admire masterpieces by Michelangelo and Caravaggio in the city’s lavish cathedrals and churches.
“Emotions and sensations experienced upon entering are no less than those experienced upon entering museums,” said art historian Benedetta Mazzanobile, who gives tours of the artwork inside Roman churches in French, Spanish and Portuguese.
San Luigi dei Francesi, the French community church in Rome, has three majestic works by 16th century painter Michelangelo Merisi, known as Caravaggio. Visitors who deposit a coin to illuminate the church’s Contarelli Chapel can enjoy the paintings, centered around the life of St. Matthew.
Two other Caravaggio paintings, depicting the crucifixion of St. Peter and the conversion of St. Paul on the way to Damascus, can be admired in the Santa Maria del Popolo church together with “The Assumption of the Virgin,” by Annibale Carracci.
Works by another Renaissance master, Raphael, can be found in several churches in Rome, including Santa Maria della Pace. That’s where the artist painted “Sybils,” a fresco also known as “Sybils receiving instruction from Angels,” starting around 1514.
The pandemic interfered with plans to mark the 500th anniversary of Raphael’s death. In Rome, the largest Raphael exhibition opened in March and closed three days later when the Italian government ordered a nationwide lockdown. The exhibit reopened in June as restrictions were lifted and ran until the end of summer.
A work of art in its own right the Vatican’s St. Peter’s Basilica is packed with masterpieces, including Michelango’s “Pieta,” a touching sculpture of the Virgin Mary holding the dead body of Christ.
The Santa Maria della Vittoria church has a less known but powerfully evocative marble sculpture by Baroque architect and sculptor Gian Lorenzo Bernini, “The Ecstasy of Saint Teresa.”
That Italian church-goers now can admire art without having to compete with the usual throngs of tourists is a mixed blessing, Mazzanobile said.
“Surely the pandemic has allowed us to reflect on the hordes of tourists who would be now invading, sometimes in an unworthy way, the streets and galleries of museums,” she said. “But I certainly believe that, like me, most of the guides and tour leaders are waiting for those hordes.”